Unveiling the veil contains created elements and personal or selectively acquired objects upon which I had slightly or no intervention. These elements construct a sculptural assemblage in which these pieces rely on each other to create an interconnected dependency. The clock, having approximately the same weight as the metallic rhombus, balances the traction of the fishing line, securing the stability of the caught cloth in the wobbler. Pulling the rag out of the water, it remains strained a few centimeters above two seashells tangled in acrylic and wool threads, leaving traces of salted water upon a coppery plate. The pocket clock belonged to my grandfather, which he clung to have fixed for the second time because it stopped functioning. Unfortunately, the watchmaker could not make it work anymore, so now it serves as an object I had found in my vicinity to stop the rhomboid structure from pulling the fishing lure with its caught-up cloth.
The work features in the film Act nr.5 – How to interAct with a sculptural assemblage that will be used in a future project as a guiding video to build the film Act nr.4.